13 Men: Inconvenient truths

The Express Tribune: April 5, 20151… The Nirbhaya case struck a raw nerve due to the brutality of the attack and the story of a girl, Jyoti, who was working tirelessly as a medical student to pull herself and her family out of the squalor they lived in. As Sonia Faleiro notes in 13 Men, “It was easy for middle- and upper-class women to see themselves in [Jyoti].” But this story from a remote, forested corner of Birbhum district in West Bengal had another angle: “It played into Indian stereotypes about ignorant tribals and their brutal systems of justice.” It didn’t help that the Santhal tribe is traditionally insular and considers all non-tribals, even fellow Bengalis, to be ‘diku’ (outsiders) and insists on speaking Santhali, a language understood by practically no one outside their tribe. This just made the tribesmen seem even more untrustworthy — backward — as far as the media was concerned.

Full review here

Photo credit: Sonia Faleiro

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Going nowhere

The Express Tribune’s T Magazine: December 22-28, 2013

“I’m not sure what you’re talking about, but my father might,” said the ghora gaari waala to Sarah Khan, when she asked him if he knew Ahmed Rushdi’s Bunder Road se Kemari. The artist met the young man’s father, who immediately recognised the song and took her on a ride in his tonga along the route Rushdi sang about in 1954.  “I took that route every day,” Khan says, “as my house was located in the area and I would visit Khori Garden for my art supplies.” Her trip on the tonga, however, allowed her to glimpse familiar sites anew, as she furiously sketched while perched in the carriage. The sketches form part of Khan’s contribution to Right to the City: Travel guide to Karachi, a collaborative project by four artists, a historian and a curator determined to challenge local and international perceptions of Karachi as ‘Pakistan’s dark heart’ (as characterised by Time Magazine in 2012) or a ‘sweltering gangland’ (Time Magazine in October 2013).

Link to full article in T Magazine